Entre programmation, manipulation d\u2019images et exp\u00e9rimentation visuelle, Thomas Collet transforme les erreurs num\u00e9riques en v\u00e9ritables \u0153uvres d\u2019art. Connu sous le nom de Chepertom, cet artiste brestois s\u2019inscrit dans le courant du glitch art. <\/strong><\/p>\nChepertom, un artiste issu de La Cambre<\/h2>\n
Form\u00e9 \u00e0 l\u2019\u00c9cole nationale sup\u00e9rieure des arts visuels de La Cambre \u00e0 Bruxelles, Chepertom d\u00e9veloppe une pratique artistique \u00e0 la crois\u00e9e de l\u2019art et du code. Son approche repose sur une compr\u00e9hension fine des syst\u00e8mes num\u00e9riques et de leur fonctionnement interne.<\/p>\n
Gr\u00e2ce \u00e0 la programmation informatique, il intervient directement sur la structure des fichiers images, cr\u00e9ant volontairement des alt\u00e9rations et des dysfonctionnements visuels. Cette m\u00e9thode lui permet de produire des \u0153uvres uniques, o\u00f9 le hasard et le contr\u00f4le coexistent.<\/p>\n
Le glitch art : quand l\u2019erreur devient cr\u00e9ation<\/h2>\n
Le glitch art est un mouvement artistique qui valorise les bugs, les corruptions de donn\u00e9es et les anomalies num\u00e9riques. Contrairement aux standards technologiques qui visent la perfection, cette approche fait de l\u2019erreur un mat\u00e9riau cr\u00e9atif.<\/p>\n
Dans le travail de Chepertom, le glitch devient un outil d\u2019exploration visuelle :
\u2022 D\u00e9formation des pixels
\u2022 Alt\u00e9ration des couleurs
\u2022 Fragmentation des structures
\u2022 Perturbation de la lisibilit\u00e9<\/p>\n
Ces interventions r\u00e9v\u00e8lent les limites du num\u00e9rique et transforment l\u2019image en un espace instable, en constante mutation.<\/p>\n
Paysages, architectures et sc\u00e8nes industrielles d\u00e9tourn\u00e9es<\/h2>\n
L\u2019univers visuel de Chepertom s\u2019appuie sur des images issues du r\u00e9el : paysages naturels, architectures urbaines et environnements industriels. Ces \u00e9l\u00e9ments familiers sont ensuite soumis \u00e0 des processus de d\u00e9gradation num\u00e9rique.<\/p>\n
Le r\u00e9sultat produit une tension visuelle forte :
\u2022 Les structures semblent se d\u00e9sagr\u00e9ger
\u2022 Les perspectives se fragmentent
\u2022 Les textures deviennent instables<\/p>\n
Ce travail de d\u00e9construction met en lumi\u00e8re les m\u00e9canismes invisibles de l\u2019image num\u00e9rique, tout en questionnant notre capacit\u00e9 \u00e0 interpr\u00e9ter ce que nous voyons.<\/p>\n
[\/et_pb_text][et_pb_image src=\u00a0\u00bbhttps:\/\/artistedigital.fr\/artdigital\/wp-content\/uploads\/2026\/06\/14062026-66.jpg\u00a0\u00bb show_bottom_space=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb40px||40px||true|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb4.27.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb header_2_font=\u00a0\u00bbRoboto Condensed|700|||||||\u00a0\u00bb header_2_line_height=\u00a0\u00bb1.3em\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
Une r\u00e9flexion sur notre perception des images<\/h2>\n
Au-del\u00e0 de l\u2019aspect esth\u00e9tique, Chepertom interroge le r\u00f4le des technologies dans notre rapport au monde. Dans une soci\u00e9t\u00e9 domin\u00e9e par les \u00e9crans, l\u2019image num\u00e9rique est souvent per\u00e7ue comme une repr\u00e9sentation fiable.<\/p>\n
En introduisant volontairement des erreurs, l\u2019artiste cr\u00e9e une rupture qui pousse \u00e0 s\u2019interroger :
\u2022 Peut-on encore faire confiance aux images num\u00e9riques ?
\u2022 Les technologies modifient-elles notre perception du r\u00e9el ?
\u2022 Le bug r\u00e9v\u00e8le-t-il une v\u00e9rit\u00e9 cach\u00e9e ou une illusion suppl\u00e9mentaire ?<\/p>\n
Ses \u0153uvres deviennent ainsi des outils critiques, invitant \u00e0 une lecture plus consciente et distanci\u00e9e des images.<\/p>\n
Art num\u00e9rique et programmation : une nouvelle mati\u00e8re<\/h2>\n
Le travail de Chepertom s\u2019inscrit dans une tendance majeure du digital art contemporain : l\u2019utilisation du code comme m\u00e9dium artistique. Ici, la programmation ne sert pas uniquement \u00e0 produire une image, mais devient un langage cr\u00e9atif \u00e0 part enti\u00e8re.<\/p>\n
En manipulant directement les \u057f\u057e\u0575\u0561\u056c num\u00e9riques, l\u2019artiste agit sur la mati\u00e8re m\u00eame de l\u2019image. Cette approche rapproche le glitch art d\u2019autres pratiques exp\u00e9rimentales, o\u00f9 le processus de cr\u00e9ation est aussi important que le r\u00e9sultat final.<\/p>\n
Chepertom, figure montante du glitch art fran\u00e7ais<\/h2>\n
Avec une signature visuelle reconnaissable et une d\u00e9marche conceptuelle forte, Chepertom s\u2019impose comme un acteur notable de la sc\u00e8ne artistique num\u00e9rique fran\u00e7aise. Son travail, \u00e0 la fois esth\u00e9tique et critique, s\u2019inscrit dans une r\u00e9flexion contemporaine sur les technologies, leurs limites et leurs impacts.<\/p>\n
En faisant du bug un point de d\u00e9part, il transforme l\u2019erreur en r\u00e9v\u00e9lation et propose une nouvelle mani\u00e8re de regarder le monde num\u00e9rique.<\/p>\n
\u2022 D\u00e9couvrir l’artiste >><\/strong><\/a><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
Entre programmation, manipulation d\u2019images et exp\u00e9rimentation visuelle, Thomas Collet transforme les erreurs num\u00e9riques en v\u00e9ritables \u0153uvres d\u2019art. Connu sous le nom de Chepertom, cet artiste brestois s\u2019inscrit dans le courant du glitch art. Chepertom, un artiste issu de La Cambre Form\u00e9 \u00e0 l\u2019\u00c9cole nationale sup\u00e9rieure des arts visuels de La Cambre \u00e0 Bruxelles, Chepertom d\u00e9veloppe […]<\/p>\n","protected":false},"author":1,"featured_media":933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[9],"tags":[],"class_list":["post-932","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-focus","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\n
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